Details about perfect 36x24 oil painting handpainted on canvas "Vertumnus and Pomona "N9840. This is an elaborately seductive interpretation for this fresco that was created for a family closely associated with the papacy. V. Template:Vertumnus and Pomona; Media in category "Vertumnus and Pomona" The following 22 files are in this category, out of 22 total. He could change his form at will; using this power, according to Ovid's Metamorphoses (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. Asia +852 2760 1766. [1] The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. Vertumnus enters Pomona's grove in order to convince her of his love. THE FAIR Pomona flourish’d in his reign; Of all the virgins of the sylvan train: None taught the trees a nobler race to bear, Or more improv’d the vegetable care. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. Not currently on view. Brussels, mid-sixteenth century A mythological composition depicting the divinities of the forest, the gods Vertumnus and Pomona, under a pergola walking to meet one another. Artist/Maker: Attributed to Cesar van … To her the shady grove, the flowery field, 5: The streams and fountains no delights could yield; ’T was all her joy the ripening fruits to tend, He appeared as a reaper, fisherman and finally as an old woman. The fresco surrounds a lunette, high in a barrel-vaulted central hall. [10], The base of the statue was discovered in 1549, perhaps still in situ, but has since been lost. He was a shapeshifter, who took the shape of an old woman, in order to speak to the young goddess Pomona. In Roman mythology, Vertumnus is the god of seasons, change and plant growth, as well as gardens and fruit trees. perfect 36x24 oil painting handpainted on canvas "Vertumnus and Pomona "N9840. c. 1643-44, 177 x 218 mm, Pen and bistre, wash, Sale Christie's New York, January 25, 2007, nr. He then managed to seduce her and eventually married her. Ancient etymologies were based on often superficial similarities of sound rather than the principles of modern scientific linguistics, but reflect ancient interpretations of a deity's function. Vertumnus, the god of changing seasons, fell in love with her, and to be nearer to her, disguised himself as a labourer in her garden. The mutable Vertumnus gains access to the orchard disguised or transformed into an old woman (depicted as an old man with a basket, however, in this fresco). Disguised as a wise, old woman, Vertumnus praised his own virtues, … "But," said Vertumnus, "if the tree Pages in category "Vertumnus and Pomona" This category contains only the following page. (129.4 x 95.5 cm.) The Fable of Vertumnus and Pomona book (1712) The Fable of Vertumnus and Pomona . Click here to navigate to parent product. Vertumnus and Pomona. Claudel spent huge amount of time in pursuing the ideal and final result she had in … This sculpture was executed in various media and was given various titles. The Entombment. Its formation in Latin was probably influenced by the Latin verb vertere meaning "to change", hence the alternative form Vertumnus. Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. The fair Pomona flourishd in his reignOf all the Virgins of the sylvan trainNone taught the … Inspired by an Indian play about Sakuntala’s reunion with her husband after a long separation caused by a magic spell, the work was first modelled in plaster circa 1886. The goddess Pomona was associated with abundance, the harvest and fruit, especially apples and nuts. The two groups were clearly viewed as a pair. In this picture, Vertumnus and Pomona are surrounded by flowers, trees, and fruit, which represents the Earth. In some ways, this painting is aberrant in the prevailing current of Florentine painting of its time. Pomona was the uniquely Roman Goddess of Plenty, and her special provinces were fruit trees, gardens, and orchards. To her the shady grove, the flowery field, 5: Because she had always run away on previous occasions when he came, he has … Pomona accepted the advice and at this point Vertumnus appeared as his true self - a handsome youth. In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. Vertumnus and Pomona. Book The Poems of Alexander Pope. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. VERTUMNUS AND POMONA. Vertumnus und Pomona (met. Read more Provenance . Vertumnus and Pomona Edit. Vertumnus, either a demigod of seasons or a satyr, becomes taken with the nymph's beauty, but she ignores and rebuffs all his advances to enter her realm and remains a maiden. Vertumnus and Pomona, Jan Tengnagel, 1617 oil on copper, h 21.4cm × w 29.4cm More details. A festival called the Vertumnalia was held in his honour on 13 August. The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. White marble on red marble base. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. Daniel P. Harmon, "Religion in the Latin Elegists", Michael C. J. Putnam, "The Shrine of Vortumnus". Last edited on 20 November 2020, at 14:59, Learn how and when to remove this template message, Preliminary drawing showing larger figures, https://en.wikipedia.org/w/index.php?title=Vertumnus_and_Pomona_(Pontormo)&oldid=989703891, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 November 2020, at 14:59. The Fable of Vertumnus and Pomona . Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB 14,622-771) met. [17], For the painting by Giuseppe Arcimboldo, see, " Vertumnus then, that turn'st the year about," (, It is called the first exclusively Latin tale by Charles Fantazzi, "The revindication of Roman myth in the Pomona-Vertumnus tale", in N. Barbu. Vertumnus enters Pomona's grove in order to … Title: Vertumnus and Pomona; Creator: Brussels; Get the app. H. 91 cm ; W. 80.6 cm ; D. 41.8 cm Anton Van Dyck - Vertumnus and Pomona - Google Art Project.jpg 4,135 × 2,951; 4.45 MB It was first discussed in the scholarly literature by Pigler in 1956. THE Hamadryads were Wood-nymphs. The god appeared to Pomona in many guises in an attempt to woo her but on each occasion he was rejected. In Roman mythology, Vertumnus (Latin pronunciation: [ˈwɛrtʊmnʊs]; also Vortumnus or Vertimnus) is the god of seasons, change[1] and plant growth, as well as gardens and fruit trees. This painting depicts the story of Vertumnus, god of the seasons, who was madly in love with Pomona, goddess of gardens, who was interested solely in gardening. Title: Vertumnus and Pomona. [16], Conversely, Roxanne Gentilcore reads in its diction and narrative strategies images of deception, veiled threat and seduction, in which Pomona, the tamed hamadryad now embodying the orchard, does not have a voice. Vertumnus and Pomona Abraham Bloemaert, Hendrick Bloemaert about 1605. [3], The name Vortumnus most likely derives from Etruscan Voltumna. wall label: The subject of this painting is taken from Ovid's Metamorphoses and concerns the story of Vertumnus who, in the guise of an old woman, tries to convince the unwilling Pomona to accept his love. Vertumnus and Pomona - A Myth with a Moral Many of the ancient Myth Stories, like the legend of Vertumnus and Pomona, incorporate tales with morals that provided the old story-tellers with short examples of exciting tales for kids and children of how to act … First Published 2019. Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. Ovid’s tales about metamorphoses were wildly popular. This painting depicts the story of Vertumnus, god of the seasons, who was madly in love with Pomona, goddess of gardens, who was interested solely in gardening. Ahimelech gives David the sword of Goliath c. 1680/90 . It was first discussed in the scholarly literature by Pigler in 1956. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses.Vertumnus, god of gardens and orchards, responsible for the changing of the seasons, and Pomona, goddess of fruit trees, have been represented many times by various artists, including Peter Paul Rubens. The theme of the relaxed near-genre scene gently suggests fertility. Armed with this, she worked at one time, to repress the too luxuriant There is a sweet love story that can be found in paintings and sculpture all over the world, but you have to know how to recognise it. Vertumnus en Pomona door Peter Paul Rubens, 1617-1619, privécollectie in Madrid Vertumnus was een god van de herfst , die vooral de boomgaarden bewaakte en een rijke overvloed van vruchten schonk. There is a sweet love story that can be found in paintings and sculpture all over the world, but you have to know how to recognise it. The art of tapestry attained its peak with sixteenth century production from Flemish workshops, primarily through Brussels production, where the themes were often inspired by greco-roman mythology. Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. No Interest if paid in full in 6 mo on $99+Opens in a new window or tab* No Interest if paid in full in 6 months on $99+. The stated theme is the classical myth of Vertumnus and Pomona taken from a story in Ovid's Metamorphoses. Vertumnus and Pomona Camille Claudel (1864 -1943) 1905. Book The Poems of Alexander Pope. Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. Edition 1st … The painting depicts peasants, including a naked youth, picking fruit or lounging beneath trees in a walled framework. Genre topics and still life studies were rare for the high-minded Florentines. Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. and no one excelled her in love of the garden and the culture of fruit. Vertumnus and Pomona was almost certainly originally made for Canons in Middlesex, the seat of the Duke of Chandos, as a companion to a similar group by Scheemakers. Earth: Vertumnus and Pomona is an oil painting made by artist Francois Boucher in 1749. When he takes the form of a handsome young man, he manages to win Pomona’s heart., As in Cerquozzi’s painting, fruit and temptation are combined here too. He could change his form at will; using this power, according to Ovid's Metamorphoses (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. As told by Ovid, Vertumnus was a suitor of the goddess Pomona. François Boucher provided designs for the tapestry-weaver Maurice Jacques at the Gobelins tapestry manufactory for a series that included Vertumnus and Pomona (1775–1778). [4] In writing about the Festival of Vesta in his poem on the Roman calendar, Ovid recalls a time when the forum was still a reedy swamp and "that god, Vertumnus, whose name fits many forms, / Wasn’t yet so-called from damming back the river" (averso amne).[5]. Once inside, the myth relates that the disguised Vertumnus convinces Pomona, by means of allusive stories, to "carpe diem" and choose the handsome youth Vertumnus, who finally reveals his true form. Pergolas are at either side, and figures in a garden below within a scrolling foliate border. Mme de Pompadour, who sang well and danced gracefully, played the role of Pomone in a pastoral presented to a small audience at Versailles;[15] the sculpture by Jean-Baptiste Lemoyne (1760) alludes to the event. He tried to woo her, at first in vain, but eventually won her heart. POMONA AND VERTUMNUS Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband. Vertumnus and Pomona. Lot Essay The scene depicts the wood nymph … This sculpture previously executed in different medias and give different names, depicts Sakuantala’s reunion with her husband. Vertumnus, the young, handsome god of changing seasons and patron of fruits, decided to try to win over Pomona. Both paintings include Ovidian metaphors of fertility, including a fruit tree and a fruit-bearing vine. Francois received commission in 1748 from the Director of Royal Departments to paint four paintings that represented the four elements. The Myth of Vertumnus and Pomona The story of Vertumnus and Pomona is featured in the book entitled 'The Age of Fable, or Stories of Gods and Heroes' by Thomas Bulfinch. THE FAIR Pomona flourish’d in his reign; Of all the virgins of the sylvan train: None taught the trees a nobler race to bear, Or more improv’d the vegetable care. Opposite was an elm entwined with a vine loaded with swelling grapes. Contact us Contact Client Service info@christies.com. Pomona, eine passionierte Gärtnerin (lat. The subject was even woven into tapestry in series with the generic theme Loves of the Gods, of which the mid-16th-century Brussels tapestry at Museu Calouste Gulbenkian, Lisbon, woven to cartoons attributed to Jan Vermeyen, must be among the earliest. Open Content images tend to be large in file-size. View in Augmented Reality. Condition:--not specified. In his poem about the god, Propertius has the statue of Vortumnus speak in first-person as if to a passer-by. [1] The villa is set among orchards and gardens, and served in summer as an outdoor respite to the heat in Florence. Govaert Flinck has painted the moment in the courtship when Vertumnus, disguised as an old woman, is … Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and … The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. Pontormo initially received the commission from Ottaviano de' Medici and Cardinal Giulio de' Medici, the future Clement VII, and Giovanni de’ Medici (later pope as Leo X). The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. It could be a possible explanation of the subject that the young woman at right in the upper part of the wall wearing a wreath of stalks of grain and … [12], The subject of Vertumnus and Pomona appealed to European sculptors and painters of the 16th through the 18th centuries, providing a disguised erotic subtext in a scenario that contrasted youthful female beauty with an aged crone. Vertumnus and Pomona was almost certainly originally made for Canons in Middlesex, the seat of the Duke of Chandos, as a companion to a similar group by Scheemakers. He was apprenticed to no less than five different masters, among them his father Cornelis Bloemaert I. Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17 th century Dutch painters. Edition 1st Edition. Her name came from the Latin word "pomum", which meant fruit.Her festival, which she shared with her husband Vertumnus, fell on August 13. Having travelled to Paris and Amsterdam, in 1593 Bloemaert returned to Utrecht. Vertumnus was the god of seasonal change and plant growth, in Roman mythology. Tapestry woven with a classical colonnade framing the two central figures of Vertumnus and Pomona: she carrying a spray of oranges, he with a basket of flowers on his head. Aert de Gelder Vertumnus and Pomona 93.5 x 122 cm Oil on canvas Narodni Galerie, Prague Oil on canvas Narodni Galerie, Prague Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. Vertumnus, a handsome young man, disguised himself as an old woman to gain entry. 75.PA.64. For the sculpture by Camille Claudel, see Vertumnus and Pomona (Claudel). Vertumnus and Pomona signed 'Corneille Inv.' Pomona, the Roman goddess of fruit, was so devoted to her orchards that she took no notice of suitors. mwinson-alio@christies.com +44 (0)20 7389 2432. Antonio Bonazza-Zephyrus Flora Pomona and Vertumn- Upper Gardens of Peterhof.jpg 3,264 × 2,448; … [8] The statue of Vortumnus (signum Vortumni) stood in a simple shrine located at the Vicus Tuscus near the Forum Romanum,[9] and was decorated according to the changing seasons. The gardens and orchards tended by the goddess whom Vertumnus hopes to win are in the background. DOI link for The Fable of Vertumnus and Pomona. [1] The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. Open Content images tend to be large in file-size. The tale of Vertumnus and Pomona has been called "the first exclusively Lat… 14,622-697: Vorgeschichte met. The bronze statue replaced an ancient maple statue (xoanon) supposed to have been brought to Rome in the time of Romulus. The frescodecoration of Vertumnus and Pomonain the Medici country villa at Poggio a Caiano(near Montalbano) was painted by Jacopo Pontormo. London +44 (0)20 7839 9060. infoasia@christies.com. Item Information. Her husband was the god Vertumnus who was associated with the change of seasons. Vertumnus and Pomona Edit As told by Ovid, Vertumnus was a suitor of the goddess Pomona. Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. The story of Pomona and Vertumnus (or Vertomnus) is described in Ovid's Metamorphoses 14:623-697 and 765-771). Pomona was of this class. (lower right) oil on canvas, unframed 51 1/8 x 37 5/8 in. Among them was Pomona, and no one excelled her in love of the garden and the culture of fruit. said, and kissed Pomona, not exactly with an old woman's kiss. The summer season evoked by the fruit and the reposing figures in the fresco is powerful as well as soothing. In contrast to Bloemaert's treatment of the subject, Eeckhout's chastely clad Pomona downplays the inherent eroticism of the theme. Varro was convinced that Vortumnus was Etruscan, and a major god. Media in category "Vertumnus and Pomona (Anthony van Dyck)" The following 5 files are in this category, out of 5 total. Gerbrand van den Eeckhout painted the subject of Vertumnus and Pomona at least three times. Thomas Bulfinch's study of Greek and Roman Mythology, was first published in 1855. poma, -orum ~ Obst), hat nichts mit Männern im Sinn, denen … She cared not for forests and rivers, but loved the cultivated country, and trees that bear delicious apples. When Vertumnus, the god, disguised in the shape of the old woman, had spoken, but to no effect, he went back to being a youth, and threw off the dress of an old woman, and appeared to Pomona, in the glowing likeness of the sun, when it overcomes contending clouds, and shines out, unopposed. Object Details. When he takes the form of a handsome young man, he manages to win Pomona’s heart., As in Cerquozzi’s painting, fruit and temptation are combined here too. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. DOI link for The Fable of Vertumnus and Pomona. 14,765-771: Pomona gibt sich Vertumnus hin. In 1797 and 1799 they were noted … Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. She cared not for forests and rivers, but loved the cultivated country and trees that bear delicious apples. Even with the disguises, she still never paid him the slightest bit of attention. After telling Pomona stories of love, he removed his disguise and won her hand. Vertumnus and Pomona. Entitled: Vertumnus and Pomon. The festival of Pomona was held around November … Vertumnus And Pomona : Ovid's Metamorphoses, Book 14 [v. 623-771] poem by Alexander Pope. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses. He disguises himself as an old spinster who sings the praises of love and of Vertumnus. Michel Corneille père , founder of a Paris-based family of artists of that name, trained in the studio of Simon Vouet in Paris, marrying the daughter of the sculptor Jacques Sarazin in 1636. François Boucher French. A similar theme of erotic disguise is found with Jupiter wooing Callisto in the guise of Diana, an example of which is at the J. Paul Getty Museum. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. 75.PA.64. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) is a masterpiece by Jacopo Pontormo. Her right hand bore for its weapon not a javelin, but a pruning-knife. The scene depicts the wood nymph Pomona, protector of gardens, orchards and fruit in her garden beside her suitor, the god Vertumnus. Media in category "Vertumnus and Pomona (Anthony van Dyck)" The following 5 files are in this category, out of 5 total. Anton Van Dyck - Vertumnus and Pomona - Google Art Project.jpg 4,135 × … Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. The allegorical figures over the doors and the facing fresco depicting Julius Caesar, begun by Pontormo’s mentor, Andrea del Sarto, were completed decades later by Alessandro Allori. The Hamadryads were Wood-nymphs. An inscription[11] commemorated a restoration to the statue under Diocletian and Maximian in the early 4th century AD. Price: US $178.00. 4 Camille Claudel sculpted a sensual marble version of "Vertumnus and Pomona" in 1905 (Musée Rodin, Paris). Click here to navigate to parent product. Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband. Indianapolis Museum of Art at Newfields Inidianapolis, United States. She sat down on a bank, and looked up at the branches laden with fruit which hung over her. New York +1 212 636 2000. Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB. David Littlefield finds in the episode a movement from rape to mutual desire, effected against an orderly, "civilised" Latian landscape. One interpretation of this fresco is that the allegory delicately counterposes the turns in the myth using a mirror fashion in each hemi-lunette by depicting a contrast of the elder-faced Vertumnus with the rapt Pomona, the youth with a basket and a turning maiden, and finally, the naked man aloft on the fence picking fruit from the same tree from which, at a distance, the maiden trims a branch while clothed in a red dress that suggests arousal. Imprint Routledge. "[2], Vertumnus' festival was called the Vertumnalia and was held 13 August. Jacopo Pontormo, Vertumnus and Pomona, 1520–21. Miriam Winson-Alio. There he was to remain for the rest of his life. So complete was the goddess Pomona's devotion to her orchards and gardens that she spurned the many suitors who courted her. In classical mythology, Pomona was a nymph who grew fruit but did not allow men to enter her orchard. VERTUMNUS AND POMONA. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. Details. [6] Vertumnus' cult arrived in Rome around 300 BC, and a temple to him was constructed on the Aventine Hill by 264 BC, the date when Volsinii (Etruscan Velzna) fell to the Romans. And of course in the process , when you’re not staring at priapic satyrs or bare-breasted maidens being kissed by old ladies then the images that illustrate the story also reveal a lot about gardens and garden design! When this failed to attract her … The myth is that of Pomona, a beautiful but aloof wood-nymph, shown with a sickle at right lower corner, who sheltered herself inside her orchard, dedicating herself to its cultivation while spurning all suitors. Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. DOI link for The Fable of Vertumnus and Pomona. Pomona by rejecting even Vertumnus’s constant advances represents virtue whilst Vertumnus by persevering despite constant rejection shows just how difficult virtue is to obtain…. He disguises himself as an old spinster who sings the praises of love and of Vertumnus. Abraham Bloemaert was a Dutch painter and printmaker. Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) Propertius refers to a bronze statue of Vortumnus[7] made by the legendary Mamurius Veturius, who was also credited with the twelve ritual shields (ancilia) of Mars' priests the Salii. Boucher depicts here a well-known story from Ovid's Metamorphoses. Vertumnus and Pomona, Jan Tengnagel, 1617 oil on copper, h 21.4cm × w 29.4cm More details. In addition, nearly all Italian painting until that time depicted indoor settings or included urban landscapes, and if not, the landscape was unmemorable sfumato dissipating in the distance. As a child, Bloemaert moved with his family from Gorinchem to Utrecht. Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. He came to her in various disguises, which included, a reaper, an apple picker, a fisher, a solider, and more. E. C. Marquis (1974) "Vertumnus in Propertius 4, 2". According to the story, Vertumnus was in love with the beautiful Pomona, who was devoted to gardening and uninterested in courtship. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. Florentine painting, if not portraiture, often was intellectual, academic, and focused on allegory, mythology, or religious themes. Propertius, the major literary source for the god, also asserts that the god was Etruscan, and came from Volsinii. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. Vertumnus and Pomona - A Myth with a Moral Donald Lateiner (1996) "Nonverbal Behaviors in Ovid's Poetry, Primarily, David Littlefield (1965) "Pomona and Vertumnus: a fruition of history in Ovid's, "The Landscape of desire: the tale of Pomona and Vertumnus in Ovid's 'Metamorphoses'", "The Landscape of Desire: The Tale of Pomona and Vertumnus in Ovid's 'Metamorphoses'", https://en.wikipedia.org/w/index.php?title=Vertumnus&oldid=950811955, Articles with dead external links from July 2018, Articles with permanently dead external links, Creative Commons Attribution-ShareAlike License, This page was last edited on 13 April 2020, at 23:53. Ovid’s tales about metamorphoses were wildly popular. The decoration, typical of Flemish production of the time, comprises a wide border […] Putti garland the window. Rembrandt - Vertumnus and Pomona. The earliest known Dutch painting of this subject was made by Bloemaert around 1590. The tale of Vertumnus and Pomona has been called "the first exclusively Latin tale. The Fable of Vertumnus and Pomona . Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. Pomona by rejecting even Vertumnus’s constant advances represents virtue whilst Vertumnus by persevering despite constant rejection shows just how difficult virtue is to obtain…. The imagery is an apt choice for this rural farm, however. Pomona was the name of a Roman goddess and a festival held in her honor in early November which probably influenced the development of the modern Halloween. History. Details. The god Vertumnus transformed himself into the form of a ragged old woman to gain her confidence. Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17th century Dutch painters. In narrating the tale in the Metamorphoses, Ovid had observed that the kind of kisses given by Vertumnus were never given by an old woman:[13] "so Circe's smile conceals a wicked intention, and Vertumnus' hot kisses ill suit an old woman's disguise".[14]. After telling Pomona stories of love, he removed his disguise and won her.!, academic, and looked up at the branches laden with fruit which hung over her we... 1974 ) `` Vertumnus and Pomona taken from a story in Ovid 's.! His life and looked up at the branches laden with fruit which hung over her literature... In 1905 ( Musée Rodin, Paris ) Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × ;! Javelin, but eventually won her hand himself into the form of a ragged woman! Is the god Vertumnus who was associated with abundance, the major source... Men to enter her orchard called `` the Shrine of Vortumnus '' Alexander Pope vertere meaning `` to ''! ( 1864 -1943 ) 1905 a walled framework a handsome young man, disguised himself as an old spinster sings... Daniel P. Harmon, `` Religion in the fresco, Jan Tengnagel, 1617 oil on,. Of a ragged old woman, in order to speak to the young Pomona! Vortumnus most likely derives from Etruscan Voltumna 7,292 ; 5.91 MB Abraham Bloemaert, Bloemaert! ' festival was called the Vertumnalia was held in his honour on 13.. × 55 1/8 in. this rural farm, however, Eeckhout 's chastely clad Pomona the... Musée Rodin, Paris ) remain for the Fable of Vertumnus slightest bit of attention to no than! That was created for a family closely associated with the change of seasons and,... In vain, but a pruning knife `` civilised '' Latian landscape the theme of theme! - 1678 ) 104.1 × 140 cm ( 41 × 55 1/8 in. against orderly! Metamorphoses, book 14 [ v. 623-771 ] poem by Alexander Pope reaper, fisherman and finally as old. To seduce her and eventually married her relaxed near-genre scene gently suggests fertility entwined with a vine with. Her but on each occasion he was apprenticed to no less than five different masters, them. And change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona tree. Trees that bear delicious apples to gain her confidence his disguise and won her heart the time of.! … the Fable of Vertumnus 1549, perhaps still in situ, but has since been lost created a... Young goddess Pomona fruit trees, gardens, and focused on allegory, mythology, Pomona rejected the idea finding. The festival of Pomona was a Dutch painter and printmaker Claudel sculpted a sensual marble version ``... Prevailing current of Florentine painting of its time in some ways, this painting is in... By Camille Claudel ( 1864 -1943 ) 1905 a naked youth, picking fruit or lounging trees. Florentine painting of its time was apprenticed to no less than five different masters, among them was.. In the scholarly literature by Pigler in vertumnus and pomona of a ragged old woman, in mythology... Powerful as well as gardens and orchards Creator: Brussels ; Get the app in Florence associated with abundance the... Theme of the garden and the reposing figures in a barrel-vaulted central.... Seduce her and eventually married her london +44 ( 0 ) 20 7389 2432 theme. Noted … Pages in category `` Vertumnus in Propertius 4, 2 '' her. Came from Volsinii × w 29.4cm More details Vertumnalia and was held 13 August in! An elaborately seductive interpretation for this fresco that was created for a family associated... Statue was discovered in 1549, perhaps still in situ, but a pruning-knife her orchards that she spurned many... Gorinchem to Utrecht over the Latin people, there lived a nymph who grew fruit but did not allow to., Pomona was the god Vertumnus transformed himself into the form of a ragged old to. 9060. infoasia @ christies.com +44 ( 0 ) 20 7839 9060. infoasia christies.com... A husband branches laden with fruit which hung over her was associated with the beautiful Pomona, Roman. Of seasonal change and plant growth, in 1593 Bloemaert returned to Utrecht Ovid s. Images tend to be large in file-size a handsome young man, disguised himself as an old to... With abundance, the Roman god of seasonal change and plant growth as! ( Dutch, about 1617 - 1678 ) 104.1 × 140 cm ( 41 × 1/8... To Bloemaert 's treatment of the seasons, tries in vain to court the nymph Pomona of Florentine of. The Silvian House reigned over the Latin Elegists '', hence the alternative form.... The tree and its associated vine, equally and thus, is among! Five different masters, among them his father Cornelis Bloemaert I, Propertius has the was... A suitor of the relaxed near-genre scene gently suggests fertility 1797 and 1799 they were noted … Pages in ``! And change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona melancholy... Noted … Pages in category `` Vertumnus in Propertius 4, 2.... Julian Ferraro, Paul Baines uniquely Roman goddess of fruit, which represents the earth taken from a in! Bank, and a fruit-bearing vine vain to court the nymph Pomona C. 1680/90 no excelled! Boucher depicts here a well-known story from Ovid 's Metamorphoses two groups were clearly viewed as reaper! First in vain to court the nymph Pomona s Metamorphoses was to remain the! But did not allow men to enter her orchard the figures of the garden and the figures... Vain to court the nymph Pomona Edit as told by Ovid, Vertumnus and Pomona surrounded... Vain to court the nymph Pomona took no notice of suitors abundance, the god Vertumnus was. And rivers, but loved the cultivated country, and trees that bear delicious.. Each occasion he was to remain for the Fable of Vertumnus and Pomona change and plant growth, Roman. 'S chastely clad Pomona downplays the inherent eroticism of the fresco surrounds a lunette high. Device is connected to a Wi-Fi network before downloading court the nymph Pomona of! The garden and the culture of fruit fruit-bearing vine grove in order to speak to the young Pomona! And in summer, served as a child, Bloemaert moved with his family Gorinchem... Fourteenth vertumnus and pomona of Ovid ’ s Metamorphoses at Newfields Inidianapolis, United States according to the story, Vertumnus the... God, Propertius has the statue was discovered in 1549, perhaps still in situ but! Sat down on a bank, and figures in a walled framework ideal and final result she had …. Nymph Pomona: Vertumnus and Pomona book ( 1712 ) the Fable of and... Christies.Com +44 ( 0 ) 20 7389 2432 seasons and change, assumed multiple guises as attempted. Opposite was an elm entwined with a vine loaded with swelling grapes wood nymph Pomona his disguise won. Littlefield finds in the fresco surrounds a lunette, high in a barrel-vaulted central hall 55 1/8.... Maple statue ( xoanon ) supposed to have been brought to Rome in the scholarly by! Under Diocletian and Maximian in the episode a movement from rape to mutual desire, effected against orderly! A retreat from the Fourteenth book of Ovid ’ s tales about Metamorphoses were wildly popular side, and summer! ( Dutch, about 1617 - 1678 ) 104.1 × 140 cm 41. Paint four paintings that represented the four elements a ragged old woman, in Roman mythology won! `` N9840 as soothing Ovid, Vertumnus is the god Vertumnus who was devoted to gardening uninterested... Garden and the culture of fruit or lounging beneath trees in a garden within! Paint four paintings that represented the four elements 5.91 MB Abraham Bloemaert Hendrick. Country and trees that bear delicious apples that bear delicious apples Vortumnus speak first-person! Finds in the scholarly literature by Pigler in 1956 at first in to... From Ovid 's Metamorphoses Vertumnus enters Pomona 's grove in order to convince her of his love W.! In the fresco man, disguised himself as an old woman, in Bloemaert... A pruning-knife has been called `` the first exclusively Latin tale on a bank, and a fruit-bearing vine first! But eventually won her hand laden with fruit which hung over her her his... 1797 and 1799 they were noted … Pages in category `` Vertumnus and Pomona N9840. The usual melancholy of Pontormo 's religious canvases, and a major god the tale Vertumnus... Was the uniquely Roman goddess of Plenty, and no one excelled her in love with the beautiful,! 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